Christopher Page

29 Nov 2017

Lighting designer Chris is a creator of worlds and has crafted unique environments for a diverse range of shows.

For Ensemble Theatre Chris’ credits include LIP SERVICE, ODD MAN OUT, BETRAYAL, A HISTORY OF FALLING THINGS, THE GOOD DOCTOR, BLUE/ORANGE and video design on e-Baby. Other recent credits include: THE NETHER, PLATONOV (Catnip Productions); SHE RODE HORSES LIKE THE STOCK EXCHANGE, BETWEEN THE STREETLIGHT AND THE MOON (KXT); LA CALISTO (Sydney Conservatorium of Music); A LIFE IN THE THEATRE, THE MAN WITH FIVE CHILDREN and RIDE/FOURPLAY (Darlinghurst Theatre); BU21, 4:12 (Outhouse Theatre); GIRLS LIKE THAT, JOURNEY’S END (ATYP); LIGHTEN UP, THE WITCHES, FIVE PROPERTIES OF CHAINMALE (Griffin Theatre); BLACK JESUS, HIS MOTHER’S VOICE, GREAT EXPECTATIONS (Bakehouse Theatre); THE DARK ROOM, WINDMILL BABY, AS YOU LIKE IT (Belvoir). Site-specific works includes: THIS IS A VOICE, ANCIENT LIVES (Powerhouse Museum), WARATAH (Vivid); EL ANATSUI (Carriageworks); ACTION STATIONS (National Maritime Museum); BECALMED HEART, MET YOU IN A CITY THAT ISN’T ON A MAP (Underbelly Arts Festival) and MANGROVES (Kate Richards & UNSW)