1951, the race is on to unlock the secret to life. An ambitious young scientist, Rosalind Franklin, might hold the key to decoding DNA and have a Nobel Prize worthy discovery within her reach. In a world dominated by men, a dedicated woman sacrifices her life in a relentless pursuit of science.

Overview

It’s 1951 and the race is on to unlock the secret to life. An ambitious young scientist, Rosalind Franklin, holds the key to decoding DNA and has a Nobel Prize worthy discovery within her reach.

Franklin’s pioneering work using x-ray diffraction photography could lead to the biggest breakthrough in biological history. Hindered by her own perfectionism and rival scientists hot on her heels, Franklin grapples with the unjust consequences.

Inspired by true events, in a world dominated by men, Rosalind Franklin sacrificed her life in a relentless pursuit of science.

Ticket Prices

For group bookings of 10+, please call Box office on (02 8918 3460) or email groups@ensemble.com.au

Single tickets are now on sale.

Prices correct at the time of publication and subject to change without notice.

2024 SINGLE TICKETSPREVIEWSIN SEASON
FULL PRICE$83$88
SENIOR CARD$80$85
PENSIONER$76$81
GROUP 10 - 19$76$81
GROUP 20+$71$76
30 OR UNDER$40$43
FULL-TIME STUDENT$40$43
MEAA/AWG$40$43
SCHOOL GROUPS$25$25
Reviews

★★★★ “Director Anna Ledwich’s compelling production has Amber McMahon plating herself in Franklin’s armour to ward off the men’s attentions, jibes and intellectual pilfering…In a finely drawn rendition of a challenging role, McMahon’s eyes take on a steely glint and her voice and body a forbidding stiffness, even as she gives us blink-and-you-miss-them glimpses of the vulnerability beneath the armour.” Sydney Morning Herald

★★★★ "Anna Ziegler’s crisply written and insightful drama is rich and zingy... this production sings in all departments" Limelight Magazine

★★★★"There is a careful rhythm to the speech that has a beauty and a humour all its own.” Cultural Binge

★★★★1/2 “One of the best shows of the year and I think it’s one that almost anyone will love" State of the Art

"Directed by Anna Ledwich with a clarity and pace that accesses the academic and scientific as well as mining the rich vein of humour that runs through Ziegler’s script." Australian Stage

"Never dull for a second, there is no better 90 minutes to be had in Sydney." Stage Whispers

“Under Anna Ledwich’s taut direction, Photograph 51 is a polished gem... entertaining and informative" Megaphone Oz

“The Ensemble Theatre’s production, under the hand of Anna Ledwich, did well to accentuate the philosophical questions posed by the script, and leave the audience both better-informed and personally challenged.” Theatre Travels

“Warm, fast, and witty, with humour sprinkled throughout the dialogue" Northern Beaches Mums

"An engaging and enlightening work that seeks to correct history while shining a spotlight on the struggle women in science have faced." Broadway World

Cast & Creatives
Anna Ziegler

Anna Ziegler

Playwright
Anna Ledwich

Anna Ledwich

Director
Sophie Kelly

Sophie Kelly

Assistant Director
Toby Blome

Toby Blome

Cast
Garth Holcombe

Garth Holcombe

Cast

Theatre credits include TRIBES: Ensemble Theatre, ORLANDO: Sydney Theatre Company, SONGS FOR THE FALLEN: New York/ New Zealand/ Sydney Festival & more, BENT: Company B Belvoir, THE PIGEONS: Griffin Theatre Company, AS BEE’S IN HONEY DROWN: Darlinghurst Theatre Sydney, MAMMON INC: Action Theatre Singapore, AN ITALIAN STRAW HAT: East Coast Theatre Company, THE BALD SOPRANO: NIDA Theatres, DON JOHN OF AUSTRIA: Sydney Symphony Orchestra, MR KOLPERT: PantsGuys. Other theatre credits include: THE LONDON CUCKOLDS, THE ATTIC, CLOSER, DON’S PARTY & Shakespeare’s CYMBELINE. National tours include ACTORS AT WORK for the Bell Shakespeare Company, and both RAINBOW’S END and ROMEO AND JULIET for Parramatta Riverside Theatres.

Screen credits include HOME & AWAY: Network 7, ALL SAINTS: Network 7, HEAD START: ABC and more.

Garth is a graduate of the National Institute of Dramatic Art (NIDA 2006). Garth is a proud member of Equity.

Robert Jago

Robert Jago

Cast
Amber McMahon

Amber McMahon

Cast
Jake Speer

Jake Speer

Cast

Jake Speer is a graduate of NIDA. During his training Jake made a memorable impact as Richard in Shakespeare’s RICHARD III, amongst other roles. Following graduation Jake booked a series regular role on Australia’s highest rating drama series, HOME & AWAY playing Oscar Maguire.

Between graduating from NIDA and signing on to HOME & AWAY, Jake found time to produce, direct, write and star in the documentary film, LEETON: THE FORMATIVE YEARS. His next screen project is the short film INSIDE WATER which he wrote, and will star in alongside Myles Pollard and Maggie Dence.

On stage Jake was most recently seen in HAND TO GOD (The Alex Theatre) and in the musical KINKY BOOTS for Michael Cassell. Other theatre credits include BAREFOOT IN THE PARK (Ensemble Theatre) & THE GOVERNMENT INSPECTOR (regional tour). Film credits include BACKYARD ASHES directed by Mark Grentell.

Gareth Yuen

Gareth Yuen

Cast
Jeremi Campese

Jeremi Campese

Understudy
Matilda Ridgway

Matilda Ridgway

Understudy

Matilda is an award winning actor, theatre maker and arts educator. For the Ensemble Theatre she has performed in PROOF, SEMINAR, MY WONDERFUL DAY, BROOKLYN BOY and RUBY SUNRISE. Her other theatre credits include THIS THIS IS MINE (Corinthian Food Store), JASPER JONES (Belvoir), HAMLET, HENRY 4 and THE PLAYERSs (Bell Shakespeare), CRUCIBLE, MIDSUMMER NIGHT’S DREAM, A DOLL’S HOUSE and MUCH ADO ABOUT NOTHING (Sport for Jove), THE BITTER TEARS OF PETRA VAN KANT, KAYAK, COCK and SPROUT (Old Fitzroy Theatre), PLATANOV and SWEET NOTHINGS (ATYP).

Her film and television credits include, TOMORROW AND TOMORROW AND TOMORROW, JACKIE AND HIDING (ABC), 1919 (ABC), the Cannes Palm D’Or nominee THE GUESTS and the independent feature films MARLEY, SOMEONE and 2010.

Matilda trained at the Ensemble Studios, Atlantic Theatre Company NYC, SITI Company NYC and L’Ecole Phillippe Gaulier Paris. Matilda is a proud member of Equity and WITS.

 

Jeremy Waters

Jeremy Waters

Understudy
Emma Vine

Emma Vine

Set & Costume Designer
Trudy Dalgleish

Trudy Dalgleish

Lighting Designer
Jessica Dunn

Jessica Dunn

Composer & Sound Designer
Erin Shaw

Erin Shaw

Stage Manager

Graduating from the Technical Theatre and Stage Management course at NIDA in 2016, Erin has previously worked in the industry as a dresser on GIRL ASLEEP (Belvoir, 2016); stage manager on LITTLE BORDERS (The 505, 2017), MOTH (ATYP, 2017), and LOVE, ME (The 505, 2018); and assistant stage manager on DIPLOMACY (Ensemble Theatre, 2018) and BLISS (Belvoir, 2018).

Erin feels privileged to have worked with such an incredible team on this production and looks forward to the season.

Renata Beslik

Renata Beslik

Costume Supervisor
Writer's Note

I was so thrilled to learn that PHOTOGRAPH 51 would be produced at the venerable Ensemble Theatre. I have yet to get to Sydney myself, but I’m glad one of my plays will precede me.

I very much hope you enjoy the play – this one is near and dear to my heart. I wrote it when I was in my 20s and it’s taken me on an incredible and unpredictable journey, both around the world and into a previously inaccessible world of science. Because of this play I’ve met movie stars and stars of biochemistry and physics; most impactfully (and surprisingly) I met a number of the scientists depicted in the play and also many members of Rosalind Franklin’s family. It’s all been a gift. But I also can’t forget this play wouldn’t exist if not for the incredibly inspiring scientist at its center, a woman whose life lends itself to drama in part because it ended so tragically. Needless to say I’d trade it all to bring her back.

– Anna Ziegler

Director's Note

The story of Rosalind Franklin, and her pivotal role in unlocking the structure of DNA, has been dissected, debated, politicised and dramatised ever since that momentous discovery in 1953. The exact nature of her contribution has fuelled conflicting versions of events. Was she woman at odds with the scientific patriarchy, or one half of a tragic mismatch, incapable of collaborating? Did she unwittingly sideline her own contribution, or was she a victim of scientific skullduggery? It depends on who you believe. Perhaps the truth lies between all of this things. Perhaps, as one of the characters in the play says: “It’s the tricky thing about time, and memory. Whole worlds of things we wish had happened are as real in our heads as what actually did occur.”

– Anna Ledwich

Download Your Program

Discover more about PHOTOGRAPH 51 with our digital program. It’s packed full of info about the show including writer’s and director’s notes, cast and creative bios, plus photos and more!

DOWNLOAD YOUR PROGRAM

Special Performances

Audio Described

  • Thu 29 Sep 11am
  • Sat 1 Oct 3.30pm

Tactile Tours are available 1 hour prior to Audio Described performances, please contact the Box Office to book.

Q&A Session

  • Fri 16 Sep 8pm
  • Tue 20 Sep 11am

Free Teen

  • Wed 5 Oct 7.30pm
COVID SAFETY MEASURES

For all performances of PHOTOGRAPH 51, masks are likely to still be required while at the Ensemble Theatre unless eating or drinking.

Our COVID Safe plan will be reviewed again on 31 August 2022, just prior to the opening of PHOTOGRAPH 51.

FIND OUT MORE ABOUT OUR SAFETY MEASURES