Blending wit, warmth and unflinching honesty, join actor Daniel Mitchell on a deeply personal journey through fame, family and the complex bond between father and son.
WORLD PREMIERE
In London, you couldn’t swing a teacup without hearing one name — Warren Mitchell. Or rather, Till Death Us Do Part’s Alf Garnett, shouting from a telly in every lounge room like he owned the neighbourhood.
But what was it like to grow up under the weight of a towering TV legend? Daniel Mitchell lifts the curtain on a life lived in the wings — navigating school life, acting dreams, and what it means to step out of the shadow and into your own spotlight.
Blending wit, warmth and unflinching honesty, join actor Daniel Mitchell on a deeply personal journey through fame, family and the complex bond between father and son.
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| SUBSCRIBER TICKET PRICE |
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★★★★ ½ "So convincing was Mitchell's delivery... so engrossing" ArtsHub (for Four Shadows Productions' BLACKBIRD)
"Performed with vigour and verve" Time Out (for 2019's MURDER ON THE WIRELESS)

Daniel Mitchell
Ensemble Theatre: SOMEONE TO WATCH OVER ME, KEYBOARD SKILLS, THE SUNSHINE BOYS, OLD TIMES, JAPES, UNDERNEATH THE LINTEL, ART, RAIN MAN, AT ANY COST, THE ACT, LADIES IN LAVENDER, BAREFOOT IN THE PARK, MURDER ON THE WIRELESS and many more. Four Shadows Productions: BLACKBIRD, P.S. WHERE IS HOME?, PROOF. Sydney Theatre Company: MAP OF THE WORLD. Frinton on Sea weekly rep: TONS OF MONEY, THE BOYFRIEND. UK Tour: TRAFFORD TANZI: Australian Tours: OUT OF ORDER, ORPHANS, TUESDAY WITH MORRIE. KISS International Theatre Company: DANTE’S PARADISO. Television Credits: MINDER, CASUALTY, THE BILL, WATER RATS, JESTER, ALL SAINTS, HOME AND AWAY, THE TWELVE. AWARDS: Norman Kessell memorial award: RAIN MAN, OLD TIMES, THE PRICE. Trained at the Drama Centre London.

Paulina Kelly
Director credits: Blackheath Theatre Company: THE PEACH SEASON. Four Shadows Productions: P.S. WHERE IS HOME?, BLACKBIRD, PROOF, IF THE MOON, SWEET DREAMS, BABY. Acting credits: Arts Theatre Cronulla: OUR TOWN. Blackheath Theatre Company: SECRET BRIDESMAIDS’ BUSINESS, THE PEACH SEASON. PACT Theatre: RITE, WAIL. Stables Theatre: CLEAREST NIGHT. Film: INSIDE. Training: Australian Theatre for Young People and The Actors Centre.

Saint Clair
Australian Theatre for Young People: SCAB. Belvoir 25a: I & YOU, DARWIN’S REPTILIA, NOT NOW NOT EVER: A PARLIAMENT OF WOMEN. Griffin Theatre Company: BIRDSONG OF TOMORROW; Lighting Associate on GHOSTING THE PARTY, A IS FOR APPLE, WHITEFELLA YELLA TREE. Kings Cross Theatre: THE WIND IN THE WILLOWS, THE MARRIAGE AGENCY, LILAC, ONE HOUR NO OIL. Monkey Baa Theatre Company: SHACK. Old Fitz Theatre: THE SWELL, HOW TO DEFEND YOURSELF. PACT Centre for Emerging Artists: HILLSONG BOY. Seymour Centre: TIMON OF ATHENS, ULSTER AMERICAN (Associate).
It’s a funny ‘ol business as they say.
This show, or at least a very much earlier version of this show was hatched inside an aged care facility. Bastille day in the mid 20 teens. A pianist was running late and a nurse [who knew of my sometime ‘nighttime’ job] asked if I might fill in for her. “I’m not a pianist” I told her. “Oh go on” she said, “You’re an actor you can do anything.” Ego duly caressed, I set about my five-minute repertoire. At the end of which I said, “that’s it there’s no more.” “Just go around again” she said, “they won’t notice.” I refused and began to banter, talking croissants and champagne with my captive audience. When the pianist finally arrived, I cheekily asked the girl on the front desk
” What’s the going rate for the pianist? I’ve just done her first 20 mins.” To my surprise she replied, “I think she gets $95 an hour.” Me, as an itinerant carer $28 p/h!
A few weeks later I was back with Acting Tales. Stories and poems and banter all about life in the biz. Encouraged by its reception, I showed a later version of the script to Mr Kilmurry. “Why’s your dad not in it?”
“It’s not about him” said I. “But it’s about your life? – In the theatre?” “Yeah …” “And you don’t have any good dad stories?” “Loads!” “So?” “Ok,” says I, “he can be in it too.”
It’s all about families innit.
Daniel Mitchell