Max Lyandvert

Max is a multi-award winning composer, sound designer and stage director.

Max’s composing screen credits include: the miniseries THE KETTERING INCIDENT (Winner 2016 AACTA, Best Original Music Score in Television along with composer Matteo Zingales) and THE DEVILS PLAYGROUND, feature documentaries: GAYBY BABY, AFTER THE WAVE, choir arrangements for feature HEY HEY IT’S ESTHER BLUEBURGER.

For theatre, his Composer and Sound Designer credits include: TOP GIRLS, DINNER, TESTAMENT OF MARY, HAY FEVER, THE GOLDEN AGE, ENDGAME, MACBETH, PERPLEX, WAITING FOR GODOT (Sound Design) FURY, MRS. WARREN’S PROFESSION, GROSS UND KLEIN, TRUE WEST, LONG DAY’S JOURNEY INTO NIGHT, ORESTEIA, ELLING, THE CRUCIBLE, KING LEAR, WAR OF THE ROSES, THE VERTICAL HOUR, DOUBT, FESTEN PENTECOST, LA DISPUTE, FIREFACE, LADY IN THE VAN and LIFE IS A DREAM for STC; ANTONY AND CLEOPATRA, MERCHANT OF VENICE and OTHELLO for Bell Shakespeare; THE WINTER’S TALE for QTC; THE WIZARD OF OZ, OEDIPUS REX, THE HAM FUNERAL, UBU , GULLS, MACBETH, THE THOMAS IDIOT, COURTYARD OF MIRACLES, CLOSER, THE ROSE TATTOO and TWELFTH NIGHT for Belvoir; ART AND SOUL and DESIGN FOR LIVING for STC of SA; EL DORADO, and DIARY OF A PLAGUE YEAR for MTC.

Max has won two Helpmann Awards for Best Sound Design and been nominated for seven Sydney Theatre Awards.